Wednesday 15 January 2014

Blackberry Bushes: What’s around the corner?

Blackberry picking is addictive. You set off merrily with an empty plastic container, spy some tantalisingly good-looking blackberries peering out from under some leaves, make a bee-line for them, and start picking. Close, up, they might be a bit shrivelled, rotten, or not quite ripe. They could be far into the bush, past some nasty brambles. You’ve only just started, but, compulsively, once you see them, you HAVE to pick them. You can’t just walk past them… There might not be another bush!


Last night I found myself mentally paralysed over a decision about whether or not to take a gig. I find myself in this horrible state fairly often when I’m offered a performing opportunity that clashes with something else.  In this case, it was a paid gig with a choral society in Manchester.

As young musicians, we’re often taught that we HAVE to take absolutely every gig that comes our way. Because we know (we know SO well) that work is scarce, competition is fierce, and that every time we say no, we’re damaging our future careers. We give so much of our time to honing our skills, it doesn’t make any sense to say no to an opportunity to perform. Right?

Well, I argued it out with myseIf:

On the one hand, “I need to take this. I need the experience. I need the money. I need another orchestra on my CV. If I say no, I might not get the next professional audition I apply for. I can take the 8:00 coach from London and the 23:45pm coach back and I’ll be absolutely exhausted, but I’ll save money and it will just be one day of my life. If I say no, I might not be asked again.”

On the other hand, “Actually, transport expenses will cancel out the fee. It’s not a rewarding piece of repertoire; I don’t feel inspired to play it, and it won’t challenge me. It will set my energy levels back and rob me of time to practice and develop other opportunities. Also, I had planned to spend this weekend celebrating my husband’s birthday.”

So, after agonising for about two hours (I kid you not) and searching online for the cheapest transport options out there (shout out to megabus.com!), my answer was NO.

As I pressed send on my email, I thought, 'Please, please, let there be another opportunity for me - a better blackberry bush around the corner!'

In a lovely case of synchronicity, I checked my email at 6:30 this morning, and somebody has offered me work performing in care homes local to me. YES! This is a way better blackberry bush, and I’ve been looking for one like this for ages! This gig excites me, is local to me, is in line with my beliefs about using music to serve others, and there’s even some financial profit involved.

The truth is… there generally is another blackberry bush around the corner. Not always. But usually, if you keep on walking. And if your lunch box is full of puny hard blackberries, you won’t have space for the lush, ripe ones just a few steps down the road! You could even turn around, thinking you’ve accomplished your goal, without ever knowing what you’re missing.

Of course we need to take good opportunities that are offered to us – that will build us up and give us good experience. But let’s not undervalue ourselves! I think that one of the best skills we can develop is to know when to accept and when to say no.  We need to be able to say no with absolute confidence that we are not damaging our careers, but protecting them. Our time is precious. For me, it’s also about cultivating my faith that God is good, and provides for all of us.

Blackberry picking isn’t easy. I’ve been stung by wasps, scratched by brambles, and got my fingers covered in mouldy blue liquid. But for the chance to taste those big, purple, juicy, sweet ones… mmmm….it’s so worth it!

                                                                                                                                                                   

I have to give my husband, Richard, credit for this blog. He introduced me to the wondrous activity that is blackberry picking, and he came up with the blackberry bush analogy to help me to make my decision. The photo is also his!

Wednesday 1 January 2014

Making post-holiday practice fun

Picking up your instrument after a break can be the most awfully depressing thing in the world.

These are my tips for making the first 5 – 7 days of practice after a break a bit (hopefully a lot!) more bearable:


1) Take an intentional break.

This Christmas, I took my flute with me for a five-day holiday, vaguely intending to ‘keep my muscles in shape’ with a bit of practice each day. This was a silly idea. I picked it up once, to play ‘Rudolph the Red-Nosed Reindeer’, and felt that I’d let myself down every day I didn’t play.

Leave the thing at home and have a proper holiday! I say this for two good reasons:
- It will reduce guilt
- It will increase your anticipation for when you can play again.

We often want what we can’t have, and you might well start itching to play, which is a great attitude to have when you do pick up your instrument again.


2)     Don’t expect too much, too soon.

Don’t put too much pressure on yourself.  Chances are you won’t sound quite ‘yourself’ for a few days, but you will sound better MUCH more quickly than you think you will.

Make a deal with yourself that you’ll practise for a certain amount of time each day (perhaps only half an hour at first), and then be proud of yourself when you achieve that.


3)     Play simple melodies that you enjoy.

I recommend playing easy tunes that help you to create music when your technique isn’t in tip-top shape.

They’re rewarding, but also a challenge to play well, so they get you into that all important ‘zone’ or ‘flow, from which you can tackle more difficult repertoire.

You can extend the exercise by playing the tunes in different keys, which is great for:
- mental agility
- aural training
- getting your fingers working, and
- improving tone across the instrumental range.

I recommend this great mini fake book, packed full of popular tunes to enjoy. 


4)     Play along and improvise to a backing track.

I have had so much fun on YouTube lately playing along to jazz standards and pop songs that I enjoy.

There are many good reasons to do this!

1)   It’s FUN, and when we have fun, we learn better.
2)   It’s DIFFERENT – you may never want to be a jazz musician, or improvise in public, so there’s no pressure - but doing something out of your comfort zone is always refreshing.
3)   It stops you from being overly critical. Your brain has to combine so many skills that your self-critical voice doesn't have much time, if any, to interfere.
4)   The backing music connects you to a structure of rhythm, harmony and layers of sound that you simply don’t have when playing by yourself.
5)   Your instinctive musicianship will kick in and you will find that your tone, breathing, and phrasing automatically improve.

Here are some of my favourite clips to play along to:


Happy practising!